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unmatched comprehensiveness worldwide for fine art auctions. our econometric department of the art market offers spot-on indicators to bring you clear information and help you in your decisions. join the art market insiders: art market 艺术市场 marché de l'art mercado del arte kunstmarkt mercato dell'arte tweets de @artmarketdotcom the art market enters a new phase 2017 marks a return to worldwide growth for the art market. after two consecutive years of contraction (-10% in 2015 and -23% in 2016), global art auction turnover increased by +20%, equivalent to a spectacular turnaround of +40% (absorption of the contraction plus additional growth). this performance is all the more significant as it was generated by a combined recovery of both the western and the chinese markets , with each market generating a new historical auction result as well. the year 2017 will remain a decisive year for two reasons. on the one hand, because a new price range (unthinkable just a few months ago) has been reached, with the huge gap between the previous all-time art auction record and the new one (between $180 million and $450 million) bound to be filled incrementally by upcoming sales of museum quality works. on the other hand, because for the first time since the eclosion of the chinese market (2008), the major powers of the art market have together demonstrated all the signs of firm and durable growth. and lastly because 2017 has proved beyond any doubt the validity of the model developed (and ipr protected) by artprice which details and forecasts all of the economic, financial and sociological phenomena inherent to “the museum industry” ®. soft power: china first, the usa just behind an increasingly diversified global market the structure of the art market in 2017 the western market the chinese art market the “quality over quantity” strategy of chinese art auction market has paid off ranking of the top 500 artists by auction turnover european artists accounted for nearly half of the world’s top 500 artists last year, ahead of asia (162) and north america (82). the ranking also contained 12 latin american artists, 6 africans and 6 from oceania. although still modestly represented in the top 500, these latter regions are indeed becoming increasingly important on the global art market as a whole. much more to discover in: the complete art market in 2017 (annual report by artprice.com) available online: https://www.artprice.com/artprice-reports/the-art-market-in-2017/ 2017 the contemporary art market worldwide, by artprice.com the historic record of $110.5 million for a contemporary work illustrates the segment’s extraordinary financial potential. the rise of this segment, the art market’s primary growth driver, is fuelled by a virtuous circle that makes contemporary art an omnipresent dimension of our cultural landscape. content: contemporary art’s virtuous circle renewed growth current trends popularity of street art towards art market gender equality the financial appeal of contemporary art interviews: madelaine d’angelo ; alex chang 2017 top 500 contemporary artists the artprice contemporary art market report 2017 is now available: https://www.artprice.com/artprice-reports/the-contemporary-art-market-report-2017 h1 2017 global art market report, by artprice.com h1 2017 saw a general recovery of the art market, with turnover up 5% global art auction turnover reached $6.9 billion in h1 2017 prices in the contemporary segment rose 9.6% with $2.2 billion, the usa overtook china's $2 billion the uk and france contributed to the recovery, up 13% and 7% respectively contemporary art accounted for 15% of global turnover, vs. 3% in 2000 a work by jean-michel basquiat (born 1960) fetched $110.5 million the auction unsold rate improved by 2 percentage points versus 2016 global overview at a global level, the art market was in better shape in h1 2017, ending two consecutive years of slowdown. global figures more than 228,700 fine art lots sold worldwide during the first six months of 2017, generating a total turnover of $6.9 billion (including fees). these results were recorded at more than 3,054 public sales that are subjected to artprice's systematic and detailed analysis. artprice has been global leader in since 1987. this half-year report covers all public sales of fine art (painting, sculpture, drawing, photography, printmaking, installations). the complete h1 2017 global art market report, by artprice.com: china and the united states, neck-and-neck, a new era of prosperity in the west, restructuring of the chinese market, new collector preferences, top 50 artists by auction turnover, and much more... is available online at: https://www.artprice.com/artprice-reports/global-art-market-in-h1-2017-by-artprice-com financialisation of the art market throughout 2016, auction operators have demonstrated their capacity to stimulate demand despite a climate of uncertainty. china has managed to stabilise its auction turnover , while the west saw its highest level of transactions ever recorded (398,000 lots sold). in both the east and the west, a focus on consolidating the core of the market took priority over the race towards new auction records . this market configuration owed much to an intensification of competition between the market’s different players that has, in turn, led to a more stable and solid market environment. in 2014, sotheby’s yielded to pressure from its shareholders, including hedge-fund manager daniel loeb. after 34 years of loyal service (including 14 as ceo), william ruprecht handed the reins to businessman tad smith. at christie’s, a series of ceos from major industrial groups have attempted to make the organisation ever more efficient: steven murphy in 2010, patricia barbizet in 2014, guillaume cerutti in 2016. an acceleration of personnel changes in key positions also reflected the tougher competitive environment, initially at the auction houses, and then later throughout the art market as a whole. in december, brett govry defected as head of postwar and contemporary art at christie’s to join the galérie dominique lévy. today, the art market’s dependence on the financial sector is palpable at nearly every level. recall that major banks (ubs, deutsche bank, jp morgan, etc.) have become powerful partners in major artistic events (art fairs, biennials, exhibitions, awards, etc.) that substantially influence the success and prices of artists. meanwhile a number of major multinational corporations are actively enhancing their public images by partnering with artistic causes, or by building their own exhibition centres, like the louis vuitton foundation in paris. the upper echelons of the art world are nowadays intimately connected with industrial and financial power whose requirements have given the market a new level of efficiency . the result is that every item in the major players’ cost & income statements is being carefully scrutinised. during his first year at the head of sotheby’s, the new ceo tad smith imposed a vigorous voluntary departure plan. the firm has also adjusted its buyer’s premiums twice over the last two years and we are seeing a multiplication of the incentives used to convince buyers and sellers of artworks: guarantees, online auctions, etc... ranking of the top 500 artists by auction turnover in 2016 the ranking saw a lot of movement. it is now essentially composed of 41% european artists, 30% chinese artists, 15% americans artists and 15% other nationalities. the complete art market in 2016 (annual report by artprice.com) is available online: https://www.artprice.com/artprice-reports/the-art-market-in-2016 artprice: contemporary art market annual report: + 1,370% in 16 years, generating an average annual return of 5.6% on the whole, the contemporary art market is substantially profitable over the medium and long terms. despite several adjustments and corrections, our price index shows that the segment has retained the vitality it acqu

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Domain Name: ARTMARKET.COM
Registry Domain ID: 1877083_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.networksolutions.com
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Updated Date: 2014-06-02T14:47:03Z
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Name Server: NS1.SERVEUR.COM
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